Overdosed on typos?
As one who cares more than he should about such things, I’ve been spending way too much time today mulling over Rob O’Regan’s recent post on eMedia Vitals, “Can you spare 15 minutes in the battle against typos?”.
Like O’Regan, I suspect, I have an unhealthy sensitivity to typographical errors. To this day, I’m still suffering post-typographic stress from the discovery 27 years ago that in my first published book review, for the Nashville Tennessean, I asserted that the novel’s protagonist died from an overdose of “heroine.”
Much of the pain of that error came from the fact that it was permanent. That day’s press run was done forever. The only comfort I could take was in the knowledge that few people would read the review, fewer would notice the mistake, and all would throw the paper out a few days later.
In today’s online media, of course, it’s easy to repair such mistakes (as I’ve done in my archived version of that fateful book review). What’s odd is how few people bother. Though O’Regan is too nice to name the writers or publications, he notes that three of the four errors he cites have yet to be corrected, several days after publication. (Me, I’m not so nice: Come on, Stefanie Botelho and Folio: magazine—Silicone Valley is almost as embarrassing as heroine.)
In those rare moments when I can look at them dispassionately, I can see that most typos are innocent. Some people will be amused by Silicone Valley; no one is hurt by it.
But there’s another class of typos that, left uncorrected, suggest a subtle malignity. For the reader, they are indications that the writer’s argument might not be trustworthy. A recent example, for me, is Frédéric Filloux’s critique earlier this month of a Jeff Jarvis blog post on the status of the article in journalism.
In my opinion, Filloux simply gets it wrong. I could respect his view, however, if I thought he was actually trying to get it right. But a critical typo, uncorrected now for nearly two weeks, suggests that he isn’t trying, and worse, that he doesn’t care to. “To support his position,” Filloux writes, “Jarvis mentions Brian Settler’s coverage of the Joplin tornado.”
Settler? Nope. The New York Times reporter’s last name, of course, is Stelter.
Is failing to spell Stelter’s name correctly an innocent mistake? Maybe at first (though even then it’s a sign of carelessness). But after two weeks, it starts to fester. It would undercut even the most thoughtful argument, not just Filloux’s impulsive rant.
In a subsequent attack on Jarvis’s advocacy of process journalism, Filloux says, “personally, I’d rather stick to the quest for perfection rather than embrace the celebration of the ‘process.’” I would suggest to M. Filloux that the quest for perfection begins at home.
Fortunately, it’s not too late. As Jarvis says in a comment on Filloux’s post, “publish first and correct later has *always* been the rule, except now we can publish earlier and correct sooner.”
Should you care as much as I do about typos? I don’t recommend it. To be a productive writer, you need a tolerance for innocent slip-ups. But if you care about the truth—not to mention perfection—you’ll make sure they don’t turn into malignant ones.